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悲剧的诞生The Birth Of Tragedy 第75期:一切都是为激情做准备
we are ready to deal with the phenomenon of aesthetic Socratism.那末,我们现在要进一步探讨欧里庇德斯的审美苏格拉底主义的性质: -
悲剧的诞生The Birth Of Tragedy 第74期:多重人格的悲剧诗人
Euripides is the actor of the beating heart, with hair standing on end.欧里庇德斯属于那种心悸发耸的演员: -
悲剧的诞生The Birth Of Tragedy 第73期:如何达到悲剧的效果
It is not a question here of the events represented.因为悲剧效果与史诗事迹的题材是不相配合的。 -
悲剧的诞生The Birth Of Tragedy 第72期:驱离酒神
Has the Dionysian spirit any right at all to exist?酒神文化毕竟有没有存在的价值呢? -
悲剧的诞生The Birth Of Tragedy 第71期:另一个观众的名字
Before giving a name to that other spectator, let us stop a moment.在指出这另一个观众的名字之前,让我们稍停片刻。 -
悲剧的诞生The Birth Of Tragedy 第70期:艺术作品的残酷斗争
A similar twilight seemed to invest the very structure of drama, especially the function of the chorus.同样的朦胧的暮色,笼罩着悲剧的结构,尤其是在歌队的目的上。 -
悲剧的诞生The Birth Of Tragedy 第69期:慧星光尾的意义
One of the two spectators I just spoke of was Euripides himself,这两个观众之一,就是欧里庇德斯自己。 -
悲剧的诞生The Birth Of Tragedy 第68期:两个特殊的观众
What peculiar consideration for the spectator made him defy that very same spectator?他对观众有甚么稀奇的考虑,以致反对观众呢? -
悲剧的诞生The Birth Of Tragedy 第67期:群众的舆论不可忽视
When I said earlier that Euripides had brought the spectator on the stage in order to enable him to judge the play,我们在上文说过,欧里庇德斯曾把观众带上舞台,同时使观众确实有能力评判戏剧; -
悲剧的诞生The Birth Of Tragedy 第66期:奴隶的乐观
The new comedy could now address itself to a prepared, enlightened crowd, 现在,新喜剧就面对着这样有准备、有教育的平民大众, -
悲剧的诞生The Birth Of Tragedy 第65期:如何塑造英雄人物
we shall see clearly how utterly different were Euripides' intentions.那末,你对于欧氏这种背道而驰的倾向,就会恍然大悟了。 -
悲剧的诞生The Birth Of Tragedy 第64期:人在死后仍有理性
When after all a new genre sprang into being which honored tragedy as its parent, 然而,在悲剧死后,一种新的艺术繁盛起来,它奉悲剧为先妣,为主母。 -
悲剧的诞生The Birth Of Tragedy 第63期:安然撒手尘世
Greek tragedy perished in a manner quite different from the older sister arts:希腊悲剧的灭亡不同于她的姊辈艺术: -
悲剧的诞生The Birth Of Tragedy第62期:穿古装粉墨登场
What were you thinking of, overweening Euripides, when you hoped to press myth, then in its last agony, into your service?渎神的欧里庇德斯呵,你想再度强迫这垂死者替你服役,是何居心呢? -
悲剧的诞生The Birth Of Tragedy 第61期:希腊人的康庄大道
The Dionysian truth appropriates the entire realm of myth as symbolic language for its own insights,酒神的真理便占据了整个神话领域,当作它的知识之象征,并且宣告这一措施。
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