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大学英语六级考试一本全[MP3字幕版] 听力练习 第1课

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[20:40.40]Section C
[20:47.89]Directions: In this section, you will hear a passage three times.
[20:53.61]When the passage is read for the first time,
[20:56.56]you should listen carefully for its general idea.
[20:59.74]When the passage is read for the second time,
[21:02.47]you are required to fill in the blanks numbered from 26 to 33
[21:08.04]with the exact words you have just heard.
[21:10.78]For blanks numbered from 34 to 36 you are required to fill in the missing information.
[21:17.68]For these blanks, You can either use the exact words you have just heard
[21:22.59]or write down the main points in your own words.
[21:26.09]Finally, when the passage is read for the third time,
[21:30.14]you should check what you have written.
[21:32.22]Now listen to the passage.
[21:34.29]Considering how jazz is transcribed in Chinese, you may be misled into assuming that
[21:42.72]it is a cultural form belonging to those who have some elegant tastes.
[21:47.42]Nothing could be further from the truth.
[21:49.82]It originated among black Americans at the end of the 19th century,
[21:54.86]at a time when they occupied the very bottom of the American social heap.
[21:59.78]So how has something that was created
[22:02.64]by a once despised minority acquire a central place in today's American culture?
[22:08.55]It's a mystery that many people would like to solve.
[22:11.76]Perhaps the essence of America is
[22:15.15]that you could never get two Americans to agree on just what that might be.
[22:19.42]After thinking about it for a while, we might utter,
[22:23.46]“Hmm, seems like being an American is a bit more complicated than we thought.”
[22:28.93]Certainly things like individualism, success, innovation and tolerance stand out.
[22:36.15]But these things come together because of our ability to work with one another
[22:40.53]and find common purpose no matter how diverse we might be.
[22:44.79]Some, like African-American writer Ralph Ellison,
[22:49.17]believes that jazz captures the intrinsic properties of America.
[22:53.10]The solos are a celebration of individual brilliance
[22:57.11]that can't take place without the group efforts of the rhythm section.
[23:01.27]They say jazz brought together elements from Africa and Europe,
[23:05.53]fusing them into a new culture, an expression unique to the Americans.
[23:10.90]Beyond that, though, jazz has a connection to the intrinsic properties of America
[23:16.80]in a much more fundamental way.
[23:18.88]It is an expression of the African roots of American culture,
[23:23.15]a musical medium exemplifying the domination of African culture in American culture.
[23:29.49]Now the passage will be read again.
[23:33.86]Considering how jazz is transcribed in Chinese, you may be misled into assuming that
[23:41.52]it is a cultural form belonging to those who have some elegant tastes.
[23:46.33]Nothing could be further from the truth.
[23:49.18]It originated among black Americans at the end of the 19th century,
[23:53.99]at a time when they occupied the very bottom of the American social heap.
[23:58.94]So how has something that was created
[24:01.68]by a once despised minority acquire a central place in today's American culture?
[24:07.58]It's a mystery that many people would like to solve.
[24:10.97]Perhaps the essence of America is that
[24:14.20]you could never get two Americans to agree on just what that might be.
[24:18.46]After thinking about it for a while, we might utter,
[24:22.51]“Hmm, seems like being an American is a bit more complicated than we thought.”
[24:27.97]Certainly things like individualism, success, innovation and tolerance stand out.
[24:35.09]But these things come together because of our ability to work with one another
[24:39.35]and find common purpose no matter how diverse we might be.
[25:53.37]Some, like African-American writer Ralph Ellison,
[25:57.31]believes that jazz captures the intrinsic properties of America.
[26:01.57]The solos are a celebration of individual brilliance
[26:05.73]that can't take place without the group efforts of the rhythm section.
[27:18.59]They say jazz brought together elements from Africa and Europe,
[27:23.29]fusing them into a new culture, an expression unique to the Americans.
[27:28.43]Beyond that, though, jazz has a connection to the intrinsic properties of America
[27:34.34]in a much more fundamental way.
[27:36.53]It is an expression of the African roots of American culture,
[27:40.68]a musical medium exemplifying the domination of African culture in American culture.
[28:55.63]Now the passage will be read for the third time.
[29:00.22]Considering how jazz is transcribed in Chinese, you may be misled into assuming that
[29:06.89]it is a cultural form belonging to those who have some elegant tastes.
[29:11.82]Nothing could be further from the truth.
[29:14.33]It originated among black Americans at the end of the 19th century,
[29:19.25]at a time when they occupied the very bottom of the American social heap.
[29:24.18]So how has something that was created
[29:27.13]by a once despised minority acquire a central place in today's American culture?
[29:32.93]It's a mystery that many people would like to solve.
[29:36.32]Perhaps the essence of America is that you
[29:39.59]could never get two Americans to agree on just what that might be.
[29:43.75]After thinking about it for a while, we might utter,
[29:47.99]“Hmm, seems like being an American is a bit more complicated than we thought.”
[29:53.57]Certainly things like individualism, success, innovation and tolerance stand out.
[30:00.45]But these things come together because of our ability to work with one another
[30:04.72]and find common purpose no matter how diverse we might be.
[30:09.32]Some, like African-American writer Ralph Ellison,
[30:13.36]believes that jazz captures the intrinsic properties of America.
[30:17.74]The solos are a celebration of individual brilliance
[30:21.68]that can't take place without the group efforts of the rhythm section.
[30:25.83]They say jazz brought together elements from Africa and Europe,
[30:30.20]fusing them into a new culture, an expression unique to the Americans.
[30:35.34]Beyond that, though, jazz has a connection to the intrinsic properties of America
[30:41.14]in a much more fundamental way.
[30:43.44]It is an expression of the African roots of American culture,
[30:47.60]a musical medium exemplifying the domination of African culture in American culture.
[30:54.05]This is the end of listening comprehension.

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resume [ri'zju:m]

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v. 再继续,重新开始
n. 简历,履历; 摘

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comment ['kɔment]

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n. 注释,评论; 闲话
v. 注释,评论

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occupied

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adj. 已占用的;使用中的;无空闲的 v. 占有(oc

 
domination [.dɔmi'neiʃən]

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n. 支配,控制,管辖 (复数)dominations:

 
certain ['sə:tn]

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adj. 确定的,必然的,特定的
pron.

 
corn [kɔ:n]

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n. 谷物,小麦,玉米
v. 形成(颗粒状),

 
sample ['sæmpl]

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n. 样品,样本
vt. 采样,取样

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acquire [ə'kwaiə]

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vt. 获得,取得,学到

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flexible ['fleksəbl]

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adj. 灵活的,易弯曲的,柔韧的,可变通的

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available [ə'veiləbl]

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adj. 可用的,可得到的,有用的,有效的

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