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老托福听力93篇集锦:Part C(MP3+字幕) 第45篇:古典芭蕾

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So, why did what is now called "modern dance" begin in the United States?

To begin to answer this question, I'll need to backtrack a little bit and talk about classical ballet.

By the late 1800's, ballet had lost a lot of its popularity.

Most of the ballet dancers who performed in the United States were brought over from Europe.

They performed using the rigid techniques that had been passed down through the centuries.

Audiences and dancers in the United States were eager for their own, "contemporary" dance form.

And, so, around 1900, dancers created one.

So, how was this "modern" dance so different from classical ballet?

Well, most notably, it wasn't carefully choreographed.

Instead, the dance depended on the improvisation and free, personal expression of the dancers.

Music and scenery were of little importance to the "modern" dance --- and lightness of movement wasn't important either.

In fact, modern dancers made no attempt at all to conceal the effort involved in a dance step.

But even if improvisation appealed to audiences, many dance critics were less than enthusiastic about the performances.

They questioned the artistic integrity of dancers who were not professionally trained and the artistic value of works that had no formal structure.

Loie Fuller, after performing Fire Dance, was described as doing little more than turning "round and roundlike an eggbeater."

Yet, the free, personal expression of the pioneer dancers is the basis of the "controlled freedom" of modern dance today.

重点单词   查看全部解释    
controlled [kən'trəuld]

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adj. 受约束的;克制的;受控制的 v. 控制;指挥;

 
contemporary [kən'tempərəri]

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n. 同时代的人
adj. 同时代的,同时的,

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integrity [in'tegriti]

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n. 诚实,正直,完整,完善

 
improvisation [.imprəvai'zeiʃən]

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n. 即兴而作,即席演奏,即席创作

 
enthusiastic [in.θju:zi'æstik]

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adj. 热情的,热心的

 
rigid ['ridʒid]

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adj. 僵硬的,刻板的,严格的

 
popularity [.pɔpju'læriti]

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n. 普及,流行,名望,受欢迎

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artistic [ɑ:'tistik]

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adj. 艺术的

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movement ['mu:vmənt]

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n. 活动,运动,移动,[音]乐章

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conceal [kən'si:l]

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vt. 隐藏,隐瞒,掩盖

 

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