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In the Viking's castle on the wild moor， to which the storks directed their flight in the following spring， the little maiden still remained. They had named her Helga， which was rather too soft a name for a child with a temper like hers， although her form was still beautiful. Every month this temper showed itself in sharper outlines； and in the course of years， while the storks still made the same journeys in autumn to the hill， and in spring to the moors， the child GREw to be almost a woman， and before any one seemed aware of it， she was a wonderfully beautiful maiden of sixteen. The casket was splendid， but the contents were worthless. She was， indeed， wild and savage even in those hard， uncultivated times. It was a pleasure to her to splash about with her white hands in the warm blood of the horse which had been slain for sacrifice. In one of her wild moods she bit off the head of the black cock， which the priest was about to slay for the sacrifice. To her foster-father she said one day， “If thine enemy were to pull down thine house about thy ears， and thou shouldest be sleeping in unconscious security， I would not wake thee； even if I had the power I would never do it， for my ears still tingle with the blow that thou gavest me years ago. I have never forgotten it.” But the Viking treated her words as a joke； he was， like every one else， bewitched with her beauty， and knew nothing of the change in the form and temper of Helga at night. Without a saddle， she would sit on a horse as if she were a part of it， while it rushed along at full speed； nor would she spring from its back， even when it quarrelled with other horses and bit them. She would often leap from the high shore into the sea with all her clothes on， and swim to meet the Viking， when his boat was steering home towards the shore. She once cut off a long lock of her beautiful hair， and twisted it into a string for her bow. “If a thing is to be done well，” said she， “I must do it myself.”
the Viking's wife was， for the time in which she lived， a woman of strong character and will； but， compared to her daughter， she was a gentle， timid woman， and she knew that a wicked sorcerer had the terrible child in his power. It was sometimes as if Helga acted from sheer wickedness； for often when her mother stood on the threshold of the door， or stepped into the yard， she would seat herself on the brink of the well， wave her arms and legs in the air， and suddenly fall right in. Here she was able， from her frog nature， to dip and dive about in the water of the deep well， until at last she would climb forth like a cat， and come back into the hall dripping with water， so that the GREen leaves that were strewed on the floor were whirled round， and carried away by the streams that flowed from her.
But there was one time of the day which placed a check upon Helga. It was the evening twilight； when this hour arrived she became quiet and thoughtful， and allowed herself to be advised and led； then also a secret feeling seemed to draw her towards her mother. And as usual， when the sun set， and the transformation took place， both in body and mind， inwards and outwards， she would remain quiet and mournful， with her form shrunk together in the shape of a frog. Her body was much larger than those animals ever are， and on this account it was much more hideous in appearance； for she looked like a wretched dwarf， with a frog's head， and webbed fingers. Her eyes had a most piteous expression； she was without a voice， excepting a hollow， croaking sound， like the smothered sobs of a dreaming child.
then the Viking's wife took her on her lap， and forgot the ugly form， as she looked into the mournful eyes， and often said， “I could wish that thou wouldst always remain my dumb frog child， for thou art too terrible when thou art clothed in a form of beauty.” And the Viking woman wrote Runic characters against sorcery and spells of sickness， and threw them over the wretched child； but they did no good.
“One can scarcely believe that she was ever small enough to lie in the cup of the water-lily，” said the papa stork； “and now she is grown up， and the image of her Egyptian mother， especially about the eyes. Ah， we shall never see her again； perhaps she has not discovered how to help herself， as you and the wise men said she would. Year after year have I flown across and across the moor， but there was no sign of her being still alive. Yes， and I may as well tell you that you that each year， when I arrived a few days before you to repair the nest， and put everything in its place， I have spent a whole night flying here and there over the marshy lake， as if I had been an owl or a bat， but all to no purpose. The two suit of swan's plumage， which I and the young ones dragged over here from the land of the Nile， are of no use； trouble enough it was to us to bring them here in three journeys， and now they are lying at the bottom of the nest； and if a fire should happen to break out， and the wooden house be burnt down， they would be destroyed.”
“And our good nest would be destroyed， too，” said the mamma stork； “but you think less of that than of your plumage stuff and your moor-princess. Go and stay with her in the marsh if you like. You are a bad father to your own children， as I have told you already， when I hatched my first brood. I only hope neither we nor our children may have an arrow sent through our wings， owing to that wild girl. Helga does not know in the least what she is about. We have lived in this house longer than she has， she should think of that， and we have never forgotten our duty. We have paid every year our toll of a feather， an egg， and a young one， as it is only right we should do. You don't suppose I can wander about the court-yard， or go everywhere as I used to do in old times. I can do it in Egypt， where I can be a companion of the people， without forgetting myself. But here I cannot go and peep into the pots and kettles as I do there. No， I can only sit up here and feel angry with that girl， the little wretch； and I am angry with you， too； you should have left her lying in the water lily， then no one would have known anything about her.”
“You are far better than your conversation，” said the papa stork； “I know you better than you know yourself.” And with that he gave a hop， and flapped his wings twice， proudly； then he stretched his neck and flew， or rather soared away， without moving his outspread wings. He went on for some distance， and then he gave a GREat flap with his wings and flew on his course at a rapid rate， his head and neck bending proudly before him， while the sun's rays fell on his glossy plumage.
“He is the handsomest of them all，” said the mamma stork， as she watched him； “but I won't tell him so.”
Early in the autumn， the Viking again returned home laden with spoil， and bringing prisoners with him. Among them was a young Christian priest， one of those who contemned the gods of the north. Often lately there had been， both in hall and chamber， a talk of the new faith which was spreading far and wide in the south， and which， through the means of the holy Ansgarius， had already reached as far as Hedeby on the Schlei. Even Helga had heard of this belief in the teachings of One who was named Christ， and who for the love of mankind， and for their redemption， had given up His life. But to her all this had， as it were， gone in one ear and out the other. It seemed that she only understood the meaning of the word “love，” when in the form of a miserable frog she crouched together in the corner of the sleeping chamber； but the Viking's wife had listened to the wonderful story， and had felt herself strangely moved by it.
On their return， after this voyage， the men spoke of the beautiful temples built of polished stone， which had been raised for the public worship of this holy love. Some vessels， curiously formed of massive gold， had been brought home among the booty. There was a peculiar fragrance about them all， for they were incense vessels， which had been swung before the altars in the temples by the Christian priests. In the deep stony cellars of the castle， the young Christian priest was immured， and his hands and feet tied together with strips of bark. The Viking's wife considered him as beautiful as Baldur， and his distress raised her pity； but Helga said he ought to have ropes fastened to his heels， and be tied to the tails of wild animals.
“I would let the dogs loose after him” she said； “over the moor and across the heath. Hurrah！ that would be a spectacle for the gods， and better still to follow in its course.”
But the Viking would not allow him to die such a death as that， especially as he was the disowned and despiser of the high gods. In a few days， he had decided to have him offered as a sacrifice on the blood-stone in the grove. For the first time， a man was to be sacrificed here. Helga begged to be allowed to sprinkle the assembled people with the blood of the priest. She sharpened her glittering knife； and when one of the GREat， savage dogs， who were running about the Viking's castle in great numbers， sprang towards her， she thrust the knife into his side， merely， as she said， to prove its sharpness.
the Viking's wife looked at the wild， badly disposed girl， with GREat sorrow； and when night came on， and her daughter's beautiful form and disposition were changed， she spoke in eloquent words to Helga of the sorrow and deep grief that was in her heart. The ugly frog， in its monstrous shape， stood before her， and raised its brown mournful eyes to her face， listening to her words， and seeming to understand them with the intelligence of a human being.
“Never once to my lord and husband has a word passed my lips of what I have to suffer through you； my heart is full of grief about you，” said the Viking's wife. “The love of a mother is GREater and more powerful than I ever imagined. But love never entered thy heart； it is cold and clammy， like the plants on the moor.”
