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专家解析英语四级考试历年阅读真题(三)

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Passage One
Questions 57 to 61 are based on the following passage.


  I’ve been writing for most of my life. The book Writing Without Teachers introduced me to one distinction and one practice that has helped my writing processes tremendously. The distinction is between the creative mind and the critical mind. While you need to employ both to get to a finished result, they cannot work in parallel no matter how much we might like to think so.

  Trying to criticize writing on the fly is possibly the single greatest barrier to writing that most of us encounter. If you are listening to that 5th grade English teacher correct your grammar while you are trying to capture a fleeting (稍纵即逝的) thought, the thought will die. If you capture the fleeting thought and simply share it with the world in raw form, no one is likely to understand. You must learn to create first and then criticize if you want to make writing the tool for thinking that it is.

  The practice that can help you past your learned bad habits of trying to edit as you write is what Elbow calls “free writing.” In free writing, the objective is to get words down on paper non-stop, usually for 15-20 minutes. No stopping, no going back, no criticizing. The goal is to get the words flowing. As the words begin to flow, the ideas will come from the shadows and let themselves be captured on your notepad or your screen.

  Now you have raw materials that you can begin to work with using the critical mind that you’ve persuaded to sit on the side and watch quietly. Most likely, you will believe that this will take more time than you actually have and you will end up staring blankly at the pages as the deadline draws near.

  Instead of staring at a blank start filling it with words no matter how bad. Halfway through you available time, stop and rework your raw writing into something closer to finished product. Move back and forth until you run out of time and the final result will most likely be far better than your current practices.
  注意:此部分试题请在答题卡2上作答。

  57. When the author says the creative mind and the critical mind “cannot work in parallel” (Line 4, Para. 1) in the writing process, he means ________.
  A) no one can be both creative and critical
  B) they cannot be regarded as equally important
  C) they are in constant conflict with each other
  D) one cannot use them at the same time(D)

  58. What prevents people from writing on is ________.
  A) putting their ideas in raw form
  B) attempting to edit as they write
  C) ignoring grammatical soundness
  D) trying to capture fleeting thoughts(B)

  59. What is the chief objective of the first stage of writing?
  A) To organize one’s thoughts logically.
  B) To choose an appropriate topic.
  C) To get one’s ideas down.
  D) To collect raw materials.(C)

重点单词   查看全部解释    
collect [kə'lekt]

想一想再看

v. 收集,聚集
v. 推论

联想记忆
available [ə'veiləbl]

想一想再看

adj. 可用的,可得到的,有用的,有效的

联想记忆
distinction [dis'tiŋkʃən]

想一想再看

n. 差别,对比,区分,荣誉,优秀

联想记忆
screen [skri:n]

想一想再看

n. 屏,幕,银幕,屏风
v. 放映,选拔,掩

 
objective [əb'dʒektiv]

想一想再看

adj. 客观的,目标的
n. 目标,目的;

联想记忆
encounter [in'kauntə]

想一想再看

n. 意外的相见,遭遇
v. 遇到,偶然碰到,

 
appropriate [ə'prəupriət]

想一想再看

adj. 适当的,相称的
vt. 拨出(款项)

联想记忆
fleeting ['fli:tiŋ]

想一想再看

adj. 飞逝的(疾驰的,短暂的,急走的)

联想记忆
parallel ['pærəlel]

想一想再看

adj. 平行的,相同的,类似的,并联的
n.

联想记忆
critical ['kritikəl]

想一想再看

adj. 批评的,决定性的,危险的,挑剔的
a

 


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