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This is Scientific American's 60-second Science, I'm Susanne Bard.
Pieter Bruegel's iconic 1565 painting The Harvesters hangs at the Metropolitan Museum of Art in New York City.
The work depicts peasants cutting stalks of wheat nearly as tall as they are.
"Nowadays, if you walk through a wheat field, you basically see that wheat is about knee-height.
The short stature is essentially a consequence of breeding from the second half of the 20th century."
University of Ghent biologist Ive De Smet.
Selective breeding favored genes for reduced height, because they came along with genes for increasing yields to feed a growing population.
De Smet says wheat is just one example of how historical artwork can allow us to track the transformation of food crops over time.
He teamed up with art historian David Vergauwen of Amarant to catalogue such artwork around the world.
"We have been mainly looking at things where we kind of can spot changes in shape, in color, in size."
Friends since childhood, their interest in plants in artwork began with a visit to the Hermitage Museum in St. Petersburg, Russia―
where they noticed an odd-looking watermelon in an early-17th-century painting by Flemish artist Frans Snyders.
"So if you think of a watermelon, you cut it through, it should be dark red on the inside. But that one appeared to be pale and white."
Biologist De Smet assumed the painter had done a poor job. But art historian Vergauwen had a different idea.
这里是科学美国人――60秒科学系列,我是苏珊娜・巴德。
彼得・勃鲁盖尔1565年所作标志性画作《收割者》挂在纽约大都会艺术博物馆。
这部作品描绘的是农民在收割几乎和他们一样高的小麦麦秆。
“现在,如果你走过小麦田,看到的小麦大概只到膝盖。
这种矮小身材本质上是20世纪下半叶育种的结果。”
根特大学的生物学家伊夫・德斯密特说到。
“现在,如果你走过小麦田,看到的小麦大概只到膝盖。
德斯密特表示,小麦只是一个例子,说明历史美术品如何让我们追踪粮食作物随时间变化。
他与阿马兰特的艺术历史学家大卫・韦高文合作,将全世界的此类艺术伤口进行了分类。
“我们主要观察我们可以察觉到的形状、颜色、大小变化的东西。”
二人从小就是朋友,在参观完俄罗斯圣彼得堡艾尔米塔什博物馆后开始对艺术作品中的植物感兴趣,
他们在博物馆注意到17世纪早期佛兰芒艺术家弗兰斯・斯奈德画的西瓜有点奇怪。
“如果你认为那是西瓜,切开它,里面的瓤应该是暗红色的。但画中的看上去是灰白的白色。”
生物学家德斯密特猜测画家画错了。但是艺术史学家韦高文有不同的想法。
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