The film Free Solo, about a rock climber who scales Yosemite Park's most dangerous rock formation without ropes,won best documentary at the Academy Awards this year. The makers of that film are the focus of this week's That Moment When.It's NewsHour's show on Facebook Watch.In journalism and photography as well, you hope to kind of disappear.You're really trying to capture the moments as they happen and trying not to influence the moment.It gets to, like, the existential ethical question at the heart of the film, which is, in the act of filming,by filming him, are we in some way gonna cause him to fall? Is he more likely to fall if we're filming?I got the sense that Alex wanted to be filmed, but he didn't want to feel filmed.I think he got the concept of actually free-soloing El Cap was film-worthy,and that idea of, like, someone doing justice to this incredible athletic feat, actually capturing it in a way that could live on for posterity...Right. Was something that was very appealing to him.The actual experience, what and what that was gonna entail, I think, was more of discovery process for him.Being a professional climber and having worked on both sides of the lens,I'm quite sensitive to what it feels like when a camera's introduced to a situation.And that sensitivity to it, you know, we hoped to apply in how we filmed with him, to make it as easy and nonintrusive as possible.They're remote cameras, because we want to stay out of Alex's line of sight.
影片《徒手攀岩》讲的是一名攀岩者攀登了美国塞米蒂国家公园最危险的岩壁，而且没有借助绳子的帮助。这部影片获得了今年奥斯卡的最佳纪录片奖。这部影片的几位制作人成为本周《记忆时刻》的焦点。《记忆时刻》是Facebook Watch上《新闻一小时》的一档节目。无论是新闻业还是摄影业，你都希望低调。你努力地尝试捕捉一些时刻，保留这些时刻的自然。这部影片让人想到现存的道德问题，这是这部影片的核心，即在拍摄他的时候，我们是否从某种程度上干扰了他的攀岩？我们的拍摄是否加大了他掉落的可能性？我以为亚历克斯希望有人拍他，但他其实并不想。而有个人来充分体现此举价值的举动是好的，可以留给子孙后代作为财富。没错。这件事对他而言很有吸引力。实际经历，过程中的收获，对于他来说是个发现的过程。作为职业攀岩者以及曾做过演员和导演的我对镜头在某种情境下的感受极为敏感。我们想将这种敏感度加入拍摄手法中，让它尽可能简单又不形成干扰。摄像头都在远处，因为我们不想干扰亚历克斯的视线。
暂无注释
