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Until that point in my life I hadn't written much of value - a few poems and short stories.
But, like a beginning artist who longs to see his work come to life, becoming an animated Disney film,
I understood that the more one draws, or writes, the better the end result will become.
Realistically, I approached writing like waxing a car, thoroughly and repeatedly.
So I wrote often to improve my writing skills.
I tentatively sent material to various magazines and reviews,
but no one had ever been willing to publish me.
So it was an unexpected delight when the Times published my commentary.
I suppose the editor decided to publish it because he was first attracted by the official nature of my stationery,
and then by the strangeness of an inner city firefighter's using refined language.
I'd like to think, though, that the editor silently agreed with me.
I received about 20 sympathetic and congratulatory letters from professors that I tacked up by the superintendent's desk.
These letters tickled me, making my heart flutter with the thought that I was not only a published writer but an opinion maker.
I was suddenly dubbed as someone whose views mattered.
Incidentally, I also received letters from True magazine and from The New Yorker, asking for interviews.
在那个时刻之前,我没有写过多少有价值的东西--只有几首诗和几篇短故事而已。
但是就像是一名刚刚起步的艺术家渴望看到他的作品焕发生命,被拍成迪斯尼动画片一样,
我明白一个人画得越多,或写得越多,最后他的作品就越好。
所以,我采取了一种实际的策略,对待写作就像给汽车打蜡一样,我既细致认真又反复操练。
我经常写,以提高自己的写作技能。
我也试着把文稿寄给多家杂志社和书评专刊,
但是没有人愿意发表我的作品。
所以,当《纽约时报》发表了我的评论,我欣喜若狂。
我想编辑决定发表它,可能是因为他首先被我所用的信纸的正式性吸引了。
其次,一名中心城区的消防员竟能使用文雅的语言或许也让他感到新奇。
但是,我宁愿认为编辑默默地认同了我的观点。
我收到了大概 20 封来自大学教授的表达同感或祝贺的信。我把它们订在了主管的桌子旁边。
这些信让我快乐,让我激动不已,因为我想到,我不仅作品得以发表,而且我还是个观点制造者。
突然间,我被称为拥有重要观点的人。
出乎意料的是,我还收到了《真实》杂志和《纽约客》的来信,要求采访我。
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